Cultural Engagement in Applied Ethnomusicology - Examples from Bosnia and Herzegovina - A Contribution to Applied Science

Authors

  • Tamara Karača Beljak
  • Jasmina Talam

Keywords:

Bosnia and Herzegovina, ethnomusicologists, applied ethnomusicology

Abstract

This paper should not be understood as the promotion of a new direction, new ideas, but rather as a kind of reading on what has happened and what is happening in field of the traditional/folk musical opinion in Bosnia and Herzegovina. The focus of our interest is on ethnomusicologists of the older generation, active in the period from 1960s to 1990s, although in the end, instead of the conclusion, we will present what is visible in field of applied ethnomusicology for period from the 1990s to this day.

References

Ferović, S ., 1990. Miroslava Fulanović-Šošić. Sarajevo: Udruženje kompozitora BiH.

Karača Beljak, T., 2007. Interview with Vinko Krajtmajer. [audio recording] Personal archive of Tamara Karača Beljak.

Karača Beljak, T., 2014a. Interview with Jasna Spaić. [audio recording] Personal archive of Tamara Karača Beljak.

Karača Beljak, T., 2014b. Zvučni krajolici. Sarajevo: Muzička akademija u Sarajevu.

Petrović, A., 2014. Monograph of Radio Sarajevo. [manuscript] Personal archive of Tamara Karača Beljak.

Pettan, S., 2010. Lambada na Kosovu: Etnomuzikološki ogledi. Beograd: Biblioteka XX vek.

Rihtman-Šotrić, D., 2000. Biography. [manuscript] Sarajevo: Archive of the Academy of Music in Sarajevo.

Published

2020-12-06

How to Cite

Karača Beljak, T., & Talam, J. (2020). Cultural Engagement in Applied Ethnomusicology - Examples from Bosnia and Herzegovina - A Contribution to Applied Science. ’’Music in Society’’ The Collection of Papers, (10). Retrieved from http://publications.mas.unsa.ba/index.php/zbornik/article/view/10